Under the new contract, those contributions will now be capped at 14 hours. “Our scale is lower than all of the other department heads.”įifteen-hour days are not uncommon, she said, and yet, up until this year when IATSE negotiated a new film and TV contract, employer pension and health contributions for costume designers were capped at 12 hours. “Our television scale is lower than craft services,” she said. “Helping members to understand how they could negotiate and increase their salaries has been very rewarding, and that’s where I put a lot of my focus.”īecause costume designers work under “on-call” contracts, they work for flat daily or weekly rates, with no overtime. I was a very tough negotiator for our salaries and had gained a reputation for being able to raise the bar on salaries in episodic TV,” she said. “Even before I came to the job, costume designers were underpaid. This costume was pretty simple – and I have a good base of knowledge ( read: lots of practice!) for making these now, so I could concentrate on making the fun details.To educate members about their rights to negotiate deals above scale, she has taught seminars for IATSE members in the U.S. This costume is so fun to make, and like most years, I used a simple elastic-back bodice (as in Anna and the Pirate Princess) since it will fit more easily. They LOVED it, and my oldest declared she should be Dorothy for Halloween. This year, we watched The Wizard of Oz with our girls, probably in the spring or early summer. “There’s no place like home… *click, click* There’s no place like home…” *click, click* Unless, of course, you can trick-or-treat at other people’s homes and get free candy!
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